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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that make it through portray the ladies as erotic and exotic. Murals from whorehouses and buildings that served as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings determined as whorehouses, the murals might have been planned to arouse customers. They may likewise have operated as pictorial menus or even served as instruction manuals for more unskilled customers. In structures determined as private residences, the scenes were probably ornamental but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.