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Like the anxious men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a number of the murals that survive illustrate the ladies as erotic and exotic. Murals from brothels and buildings that served as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n buildings determined as brothels, the murals might have been intended to arouse customers. They might also have operated as pictorial menus or even functioned as user's manual for more unskilled consumers. In structures recognized as private homes, the scenes were most likely decorative but likewise designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.