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Like the nervous men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a number of the murals that survive depict the ladies as erotic and unique. Murals from whorehouses and buildings that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n buildings identified as whorehouses, the murals may have been planned to arouse customers. They may also have worked as pictorial menus or even worked as user's manual for more inexperienced clients. In buildings identified as private houses, the scenes were more than likely decorative but likewise created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.