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Like the nervous guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a number of the murals that survive portray the women as erotic and unique. Murals from whorehouses and structures that acted as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals might have been planned to arouse customers. They may also have actually functioned as pictorial menus and even worked as user's manual for more inexperienced customers. In buildings identified as personal houses, the scenes were probably ornamental but likewise designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.