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Like the distressed guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that make it through portray the females as erotic and exotic. Murals from brothels and buildings that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings determined as brothels, the murals may have been intended to excite customers. They might also have functioned as pictorial menus or perhaps worked as instruction manuals for more unskilled consumers. In structures identified as private homes, the scenes were more than likely ornamental however also created, possibly, for titillation.

The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.

Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.