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Like the distressed men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are regularly confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that make it through illustrate the females as erotic and exotic. Murals from brothels and structures that worked as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures identified as whorehouses, the murals may have been intended to arouse clients. They may also have actually functioned as pictorial menus or even worked as instruction manuals for more unskilled clients. In buildings determined as personal homes, the scenes were most likely decorative but also designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.