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Like the anxious men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that endure portray the females as erotic and exotic. Murals from whorehouses and buildings that acted as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals might have been intended to arouse customers. They might also have operated as pictorial menus and even served as instruction manuals for more unskilled clients. In buildings identified as private residences, the scenes were more than likely ornamental but likewise designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.