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Like the anxious guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that make it through portray the females as erotic and unique. Murals from brothels and buildings that served as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with decorative quilts. n buildings identified as brothels, the murals may have been meant to arouse clients. They might also have functioned as pictorial menus or even functioned as user's manual for more inexperienced customers. In buildings identified as private houses, the scenes were more than likely ornamental but also created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.