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Like the nervous guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that make it through illustrate the women as unique and erotic. Murals from brothels and buildings that acted as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n buildings determined as brothels, the murals may have been intended to arouse clients. They may also have actually functioned as pictorial menus or even functioned as user's manual for more inexperienced clients. In buildings recognized as personal residences, the scenes were most likely decorative however also created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.