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Like the nervous guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a number of the murals that survive depict the women as erotic and exotic. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n buildings identified as brothels, the murals might have been planned to excite clients. They might likewise have operated as pictorial menus or even functioned as user's manual for more inexperienced clients. In structures recognized as personal homes, the scenes were probably ornamental but also developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.