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Like the distressed males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had anticipated-- such as phallic-shaped lights-- historians of sex are frequently challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that make it through portray the females as unique and erotic. Murals from brothels and structures that worked as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n structures identified as brothels, the murals might have been intended to excite customers. They may also have functioned as pictorial menus or perhaps served as user's manual for more inexperienced customers. In structures identified as private homes, the scenes were probably ornamental but also created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.