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Like the distressed men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a lot of the murals that endure depict the ladies as erotic and unique. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n structures identified as brothels, the murals may have been intended to arouse clients. They might also have functioned as pictorial menus and even acted as instruction manuals for more inexperienced consumers. In structures identified as personal residences, the scenes were most likely decorative but also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.