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Like the nervous males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that survive illustrate the women as exotic and erotic. Murals from brothels and buildings that functioned as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with decorative quilts. n structures determined as brothels, the murals might have been intended to excite customers. They might also have operated as pictorial menus or even worked as instruction manuals for more unskilled customers. In buildings identified as personal homes, the scenes were most likely decorative however also created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.