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Like the nervous males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lights-- historians of sex are regularly confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that survive illustrate the ladies as exotic and erotic. Murals from whorehouses and structures that acted as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n buildings recognized as whorehouses, the murals may have been intended to arouse clients. They may likewise have functioned as pictorial menus or even acted as user's manual for more inexperienced consumers. In buildings identified as personal homes, the scenes were more than likely ornamental but also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.