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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are routinely challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that endure illustrate the women as erotic and exotic. Murals from brothels and buildings that acted as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures recognized as brothels, the murals might have been intended to arouse clients. They might also have actually functioned as pictorial menus and even acted as user's manual for more inexperienced consumers. In buildings determined as private homes, the scenes were most likely ornamental but likewise designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.