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Like the nervous males who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that make it through depict the ladies as exotic and erotic. Murals from brothels and buildings that acted as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been planned to excite clients. They might also have actually operated as pictorial menus or even acted as user's manual for more unskilled customers. In structures determined as personal residences, the scenes were probably decorative but also developed, possibly, for titillation.