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Like the anxious males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually imagined-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that survive portray the women as erotic and exotic. Murals from whorehouses and structures that functioned as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n structures determined as whorehouses, the murals may have been meant to excite clients. They might likewise have functioned as pictorial menus or perhaps served as user's manual for more inexperienced customers. In structures determined as personal homes, the scenes were probably ornamental but also developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.