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Like the distressed guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that make it through depict the women as erotic and unique. Murals from brothels and buildings that acted as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n buildings recognized as whorehouses, the murals may have been planned to excite clients. They might also have worked as pictorial menus or perhaps worked as instruction manuals for more unskilled clients. In buildings identified as private houses, the scenes were probably decorative but likewise created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.