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Like the nervous guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that survive depict the women as exotic and erotic. Murals from whorehouses and structures that functioned as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n structures recognized as whorehouses, the murals may have been meant to excite customers. They might likewise have operated as pictorial menus and even served as instruction manuals for more unskilled clients. In structures identified as personal houses, the scenes were more than likely ornamental but also designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.