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Like the distressed men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive illustrate the women as erotic and exotic. Murals from brothels and buildings that acted as brothels (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals may have been intended to arouse clients. They may likewise have actually operated as pictorial menus and even worked as user's manual for more unskilled clients. In structures recognized as personal residences, the scenes were probably decorative but also created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.