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Like the anxious men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive depict the women as erotic and unique. Murals from whorehouses and buildings that served as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n buildings determined as brothels, the murals might have been intended to excite customers. They may also have worked as pictorial menus or perhaps acted as user's manual for more inexperienced clients. In buildings determined as personal homes, the scenes were most likely decorative however also developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.