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Like the anxious men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that make it through depict the ladies as erotic and unique. Murals from brothels and buildings that worked as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings determined as brothels, the murals might have been meant to excite clients. They might also have worked as pictorial menus and even functioned as user's manual for more inexperienced customers. In buildings recognized as personal residences, the scenes were probably decorative but likewise created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.