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Like the nervous males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a number of the murals that survive illustrate the ladies as erotic and unique. Murals from whorehouses and buildings that served as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures determined as whorehouses, the murals might have been planned to excite customers. They might also have functioned as pictorial menus or perhaps acted as user's manual for more unskilled clients. In structures determined as personal homes, the scenes were more than likely ornamental but also developed, possibly, for titillation.