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Like the anxious males who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that survive illustrate the women as erotic and exotic. Murals from brothels and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n buildings determined as brothels, the murals might have been meant to excite customers. They may likewise have operated as pictorial menus and even served as user's manual for more inexperienced clients. In buildings determined as personal houses, the scenes were probably ornamental but also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.