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Like the nervous guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a number of the murals that survive depict the ladies as erotic and unique. Murals from whorehouses and structures that worked as brothels (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures identified as brothels, the murals may have been planned to arouse clients. They might also have operated as pictorial menus and even worked as instruction manuals for more unskilled clients. In buildings recognized as private homes, the scenes were probably decorative but also developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.