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Like the distressed guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually planned on-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that endure illustrate the ladies as erotic and unique. Murals from whorehouses and buildings that served as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often elaborate and festooned with decorative quilts. n structures recognized as whorehouses, the murals might have been meant to arouse customers. They may also have functioned as pictorial menus or even acted as user's manual for more inexperienced consumers. In buildings recognized as private homes, the scenes were probably ornamental but also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.