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Like the anxious guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that survive illustrate the females as erotic and exotic. Murals from whorehouses and structures that worked as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been planned to excite customers. They might likewise have actually operated as pictorial menus or perhaps acted as user's manual for more inexperienced customers. In structures identified as personal residences, the scenes were probably decorative but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.