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Like the nervous men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that make it through illustrate the females as exotic and erotic. Murals from brothels and buildings that worked as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often elaborate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been meant to arouse customers. They might likewise have functioned as pictorial menus and even worked as instruction manuals for more unskilled clients. In structures determined as private residences, the scenes were most likely ornamental but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.