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Like the distressed men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that make it through depict the females as unique and erotic. Murals from brothels and buildings that functioned as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings determined as whorehouses, the murals might have been meant to excite customers. They may also have worked as pictorial menus or perhaps acted as instruction manuals for more unskilled customers. In buildings identified as private homes, the scenes were most likely decorative but likewise developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.