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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a lot of the murals that make it through portray the females as exotic and erotic. Murals from brothels and buildings that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n buildings identified as whorehouses, the murals might have been meant to arouse clients. They might also have operated as pictorial menus or even functioned as instruction manuals for more inexperienced clients. In structures determined as personal houses, the scenes were most likely decorative but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.