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Like the distressed males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are frequently faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that survive depict the women as unique and erotic. Murals from brothels and buildings that worked as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures determined as whorehouses, the murals may have been planned to arouse clients. They might also have operated as pictorial menus or perhaps served as user's manual for more unskilled clients. In structures recognized as private houses, the scenes were most likely ornamental but likewise developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.