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Like the distressed males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that endure portray the women as erotic and unique. Murals from whorehouses and structures that worked as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n buildings identified as whorehouses, the murals might have been intended to arouse clients. They may likewise have actually functioned as pictorial menus or perhaps served as instruction manuals for more unskilled customers. In structures identified as personal houses, the scenes were more than likely decorative however also created, maybe, for titillation.