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Like the distressed men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually imagined-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a lot of the murals that survive portray the women as exotic and erotic. Murals from whorehouses and buildings that worked as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n structures recognized as whorehouses, the murals might have been meant to arouse clients. They may also have functioned as pictorial menus or even served as instruction manuals for more inexperienced clients. In structures identified as personal homes, the scenes were most likely ornamental however also designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.