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Like the anxious guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that endure depict the ladies as erotic and unique. Murals from brothels and buildings that served as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with decorative quilts. n structures determined as whorehouses, the murals might have been planned to excite clients. They might also have operated as pictorial menus or even served as user's manual for more inexperienced customers. In buildings identified as private houses, the scenes were most likely decorative but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.