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Like the nervous men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually planned on-- such as phallic-shaped lamps-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that make it through depict the females as erotic and exotic. Murals from whorehouses and structures that functioned as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals may have been meant to arouse customers. They may also have actually worked as pictorial menus and even acted as instruction manuals for more inexperienced consumers. In buildings recognized as private homes, the scenes were probably decorative but also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.