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Like the anxious guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that make it through depict the women as unique and erotic. Murals from whorehouses and structures that worked as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n buildings identified as brothels, the murals may have been intended to excite clients. They may also have actually worked as pictorial menus or even worked as user's manual for more unskilled clients. In buildings recognized as private houses, the scenes were more than likely ornamental but also created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.