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Like the anxious men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are frequently confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive illustrate the women as exotic and erotic. Murals from whorehouses and buildings that served as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n structures identified as brothels, the murals may have been meant to arouse customers. They might also have worked as pictorial menus and even functioned as user's manual for more unskilled customers. In structures determined as personal houses, the scenes were more than likely decorative but likewise developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.