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Like the anxious males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are frequently confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that endure depict the women as unique and erotic. Murals from brothels and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n buildings recognized as brothels, the murals may have been meant to arouse clients. They might also have actually operated as pictorial menus or even served as user's manual for more inexperienced customers. In structures recognized as private houses, the scenes were more than likely decorative but also created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.