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Like the nervous men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually planned on-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that make it through portray the women as erotic and exotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n buildings identified as brothels, the murals may have been meant to arouse customers. They may likewise have worked as pictorial menus or even functioned as user's manual for more unskilled consumers. In buildings recognized as personal residences, the scenes were most likely ornamental but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.