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Like the nervous guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that survive depict the females as unique and erotic. Murals from brothels and buildings that served as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often ornate and festooned with decorative quilts. n structures recognized as brothels, the murals might have been intended to excite customers. They may also have operated as pictorial menus or perhaps worked as instruction manuals for more inexperienced customers. In buildings recognized as personal homes, the scenes were most likely ornamental but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.