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Like the nervous men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that survive depict the women as exotic and erotic. Murals from whorehouses and buildings that functioned as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures determined as brothels, the murals may have been meant to excite clients. They might likewise have actually worked as pictorial menus and even functioned as user's manual for more unskilled consumers. In structures recognized as private residences, the scenes were most likely ornamental but likewise created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.