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Like the nervous males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a number of the murals that survive depict the ladies as exotic and erotic. Murals from whorehouses and structures that functioned as brothels (such as inns, lunch counters, and taverns) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been meant to arouse customers. They may likewise have functioned as pictorial menus or perhaps functioned as instruction manuals for more unskilled clients. In structures identified as personal residences, the scenes were most likely decorative however also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.