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Like the nervous guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a number of the murals that make it through illustrate the females as erotic and exotic. Murals from whorehouses and buildings that functioned as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n buildings determined as brothels, the murals may have been planned to arouse clients. They might also have functioned as pictorial menus and even acted as user's manual for more inexperienced consumers. In buildings recognized as private residences, the scenes were probably ornamental but also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.