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Like the distressed males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a number of the murals that make it through illustrate the females as erotic and unique. Murals from brothels and buildings that functioned as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals may have been intended to arouse customers. They may also have functioned as pictorial menus and even served as instruction manuals for more unskilled clients. In structures recognized as personal homes, the scenes were more than likely ornamental but likewise developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.