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Like the nervous guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that survive depict the females as exotic and erotic. Murals from whorehouses and buildings that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures identified as brothels, the murals might have been planned to arouse clients. They might also have functioned as pictorial menus or even acted as user's manual for more inexperienced customers. In buildings recognized as private homes, the scenes were more than likely ornamental but likewise designed, maybe, for titillation.