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Like the nervous males who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that survive depict the females as erotic and exotic. Murals from whorehouses and structures that functioned as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures identified as whorehouses, the murals might have been intended to excite customers. They may likewise have operated as pictorial menus and even served as instruction manuals for more unskilled consumers. In structures identified as private homes, the scenes were more than likely ornamental but also designed, possibly, for titillation.