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Like the distressed males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a number of the murals that endure depict the ladies as exotic and erotic. Murals from whorehouses and structures that functioned as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n buildings identified as whorehouses, the murals might have been intended to arouse customers. They may likewise have operated as pictorial menus or even worked as instruction manuals for more inexperienced clients. In structures determined as personal houses, the scenes were probably decorative but also created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.