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Like the distressed males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lights-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that endure depict the women as exotic and erotic. Murals from whorehouses and structures that served as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures determined as whorehouses, the murals may have been meant to arouse clients. They may also have functioned as pictorial menus or even acted as instruction manuals for more unskilled customers. In buildings determined as private houses, the scenes were more than likely decorative but likewise developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.