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Like the nervous men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that make it through portray the females as unique and erotic. Murals from brothels and structures that functioned as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures determined as brothels, the murals may have been planned to arouse customers. They might also have actually worked as pictorial menus or perhaps worked as user's manual for more unskilled clients. In buildings determined as personal houses, the scenes were more than likely ornamental but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.