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Like the anxious guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are frequently challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that survive illustrate the females as exotic and erotic. Murals from brothels and structures that worked as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often elaborate and festooned with decorative quilts. n buildings recognized as brothels, the murals may have been meant to excite clients. They may likewise have functioned as pictorial menus or perhaps functioned as user's manual for more unskilled consumers. In buildings recognized as private houses, the scenes were more than likely decorative but also designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.